• Home   /  
  • Archive by category "1"

Animal Imagery In Othello Essay Conclusion

Othello Animal Imagery Essay

Animal Imagery

Many authors and play writer have effectively used the comparison of humans and animals which has been interesting to say the least and also a powerful tool. Shakespeare has used this comparison in many of his plays. Even today people see authors and play writers using animal/human comparisons. It is very influential and isn't very difficult to comprehend. In Shakespeare's play Othello, animal imagery is used through the entire play. Animal imagery helped show the characters actual identity. It also gave the play some added drama. Mental vivid pictures were created in the reader's mind, which helped understand the play. It also helps show differences between things and characters. So the animal imagery is a convincing device used during the entire play to further develop the tragic play.

The use of animal imagery helps differentiate the characters from each other. It's demonstrated from the very beginning with Iago. Iago is evil and very manipulative and uses animal imagery right from the beginning. Iago tells Brabantio about what Desdemona has done which was run away and marry Othello. Iago says to him, "…You'll have your daughter/covered with Barbary horse." (I, i, 112-113) Iago wants Othello to seem like the bad guy. Iago wants Brabantio to do something to Othello. Iago's evilness is shown right from the get go and is noticeable during the entire play. His devilish thoughts were particular illustrated by his use of animal imagery. At the beginning Othello and Iago were completely different. Othello was a noble gentleman and was known for his importance. He never compared humans to animals and never talked about animals. It all changed once Iago began to manipulate and lie to him. When Othello's character started to change from good to bad, he started to use animal imagery more and more. After Iago started planted more lies about Desdemona cheating on Othello with Cassio, Othello was talking to himself and said, "O curse of marriage, that we can call these delicate creatures ours/and not their appetites! I had rather be a toad/and live upon the vapour of the dungeon/than keep a corner in the thing I love/ for others' uses." (III, iii, 270-275) In this statement Othello is being very negative towards Desdemona. He said he would rather be a toad, than be in a relationship with her. Othello believes Desdemona is in fact cheating on him and isn't happy about it at all. This is why he would rather be a toad. He is also implying that if he were a toad, he would be in a better situation than he is in now. Othello also talks about living upon the air of a dungeon. Dungeons were typically sewers of castles which shows how hurt and desperate he really is. The quote is...

Loading: Checking Spelling


Read more

Essay on the outsiders in the play "Othello"

879 words - 4 pages Shakespeare’s Othello is considered an outsider within renaissance Venice. He is an outsider who is clever and certain in military matters but is socially insecure. He is demonized by the European society because of his fixed ideas, racial and cultural differences. Within the play, Othello is portrayed as the stereotypical alien, mistrusted and feared...

An examination of Shakespeare's Portrayal of the Capitulation of Othello through imagery and language.

781 words - 3 pages Examine Shakespeare's Portrayal of the Capitulation of Othello.Othello, at the start of the play, ennobled by his exemplary service and invigorated by love, is a model of Renaissance humanity, dignified and eloquent; jealousy reduces him to raving savagery, his angelic poetry to an incoherent snarl.Even with such a poor introduction to the audience from...

Act III, scene iii of Shakespeare's Othello

1959 words - 8 pages In this piece of course work I was told to look in depth at scene III of the play 'Othello'. I will begin by telling you the outline of the scene, then a closer look in to the scene.Desdemona decides that she wants to advocate for Cassio. She tells Emilia so, and that she believes...

Humanity and Reason in Othello

1819 words - 7 pages Humanity and Reason in Othello      In Othello Shakespeare probes deeply into the human condition by creating characters, who, by their inability to think rationally, surrender what sets them above animals. Before he succumbs to Iago's poisonous innuendoes, Othello himself expresses his clear understanding of this role of the human intellect. He initially refuses to listen to Iago's suggestions that Desdemona cannot be trusted, "Exchange...

Imagery in Othello

1348 words - 5 pages Imagery in Othello       The vast array of natural imagery in Shakespeare’s tragic drama Othello dazzles the audience’s minds. Let us survey in this essay the varieties of imagery referred to by the playwright.   The vulgar imagery of Othello’s ancient dominates the opening of the play. Francis Ferguson in “Two Worldviews Echo Each Other” describes the types of imagery used by the antagonist when he “slips his mask aside” while...

Human Frailty in Othello

1559 words - 6 pages Human Frailty in Othello     Tragedy is an intrinsically human concept; tragic heroes are damned by what they themselves do. Othello is not so much felled by the actions of Iago, but by a quality all people possess-- human frailty. Accordingly, Othello is not a victim of consequences, but an active participant in his downfall. He is not merely a vehicle for the machinations of Iago; he had free agency. Othello's deficiencies are: an...

The Imagery of Othello

2586 words - 10 pages The Imagery of Othello Talks         In the tragedy Othello the Bard of Avon uses imagery to talk between the lines, to set moods, to create a more dramatic impact on the mind of the audience, and for other reasons. Let’s consider imagery in this essay.   A surprising, zoo-like variety of animal injury occur throughout the play. Kenneth Muir, in the Introduction to William Shakespeare: Othello,  explains the conversion of Othello...

Use of Imagery in Othello

1961 words - 8 pages Before the ability to read words, pictures can be used to communicate to babies or even the illiterate. Pictures are universal. They will be seen as the same language no matter what part of the globe you are in. A good author can create pictures through his words. A great author can create the same imagery for centuries to come. The function of imagery in the mid-sixteenth century play Othello by William Shakespeare is to add characterization and...

The True Beast in Othello

3179 words - 13 pages The True Beast in Othello       "What is left when honor is lost?" This maxim from first century BC plays a pivotal role in Shakespeare’s play Othello. The question serves as a basis for the struggle between Othello and Iago. Both men are engaged in a battle over Othello’s honor. Iago is intent on destroying Othello’s sense of honor and reducing him to a bestial state. Iago views Othello as a beast masquerading in warrior’s dress. He wants...

Othello's Loss for Words

2248 words - 9 pages Othello’s Loss for Words Othello’s character throughout the play demonstrates a skill and confidence in the art of language. From the beginning we see long, eloquent speeches that dazzle his audience – eloquently mixing complex words that help portray him as not only a strong warrior but also a fighter with a sound mind. However when Iago pressures him about the possible relationship between his wife Desdemona and Cassio, Othello’s...


1057 words - 4 pages Title Shakespeare's play Othello was written some time between 1600 and 1605. In a time when ethnic minorities were so unimportant that they were almost ignored, a black man rises and has a rank of a general in Venice, and is well respected and trusted by his white leaders. However, when Othello marries

The Use Of Animal Imagery In Othello Essay

1040 Words5 Pages

In William Shakespeare’s play “Othello” the use of animal imagery was evident throughout the telling of the story. Shakespeare explained several characters actions by comparing them to similarities in animals.
The characters in “Othello” were often depicted as having animal-like characteristics. Some characters were even compared to animals by other characters in the play. By defining characters in terms of these characteristics one can get a clear description of what the character is doing or saying as compared to certain animals. In this paper I hope to give examples of animal imagery used in “Othello” that assist in explaining the play. The specific examples I present will describe a character either as seen by…show more content…

His plan was to get Cassio drunk and have him mutter words of hate and disgust to Othello, a person who Cassio had great respect for, until he was drunk and then fed him lies told to him by Iago.
Shakespeare’s animal imagery in this paragraph helps one to understand Cassio’s burden of having too many questions and not enough answers. In using the comparison of Hydra, the many headed monster, to Cassio explained how Cassio’s burden would be lifted if he only had more mouths to explain everything he had to say at one time. In Act Three Iago once again tries to manipulate another character in the play. This time he told
Othello of an alleged affair that Cassio and Desdemona were having. The affair that Iago spoke of was a complete lie, for the two were nothing more than friends. Upon hearing of this alleged affair though,
Othello went into a fit of rage yelling, “Arise, black vengeance, from hollow hell! Yield up, O love, thy crown and hearted throne To tyrannous hate! Swell, bosom, with thy fraught, for ‘tis of aspics’ tongues” (p. 149).
Shakespeare was attempting to illustrate a man, who was torn between his good friend, someone who he respected, and his lover. Shakespeare portrayed a man going through an almost metamorphosis of emotions into this animal that he could not control. Othello yelled for this side of him to rise from hell, which had aspics’ tongues, a tongue from a

Show More

One thought on “Animal Imagery In Othello Essay Conclusion

Leave a comment

L'indirizzo email non verrà pubblicato. I campi obbligatori sono contrassegnati *